I propose to take Questions Nos. 3 and 5 together.
I thank both Deputies. The programme for Government commits to assessing the basic income for the arts, BIA, pilot research scheme to maximise its impact. I announced an extension of six months, to February 2026, to allow for further assessment of the pilot data and to engage in stakeholder consultation to provide an evidence base for Government to make decisions on the next steps. I launched an online public consultation which closed on 5 September. Over 17,000 submissions were received, of which 97% were in favour of the BIA continuing. A sectoral stakeholder forum also took place on 10 September with approximately 200 attendees from resource organisations and artists represented.
In order to assess the pilot in the context of the extension and potential preparations for a successor scheme, I instructed officials in the Department to convene a consultative committee, which draws from across Government and includes the Departments of Social Protection, public expenditure and reform, and Finance, along with the Arts Council, Screen Ireland and the County and City Management Association with officials from my Department who have been working on the pilot since the outset. The group met twice this summer. Many reports on the scheme have been published and circulated to members of this committee to keep them fully informed of developments on the BIA as they happen. More recently, the externally commissioned cost-benefit analysis on the scheme was circulated to colleagues in the Department of public expenditure ahead of its publication. Communications with the Department of Social Protection have been ongoing through the pilot. My remit as Minister for the arts is to that sector. The pilot scheme has proven to be an enormous help to the artists receiving it in dealing with the precarious nature of their income, which is work we all benefit from as a society. Other Departments are welcome to view the extensive research that has taken place on the pilot.
Ireland is a global leader in the area of artist supports because of the BIA. Several countries have shown an interest in the policy, with officials from Australia, Wales, South Korea, Canada, Norway, Lithuania, Estonia, northern European arts councils and the Belgian Presidency of the Council of the EU seeking briefings with regard the policy. Last year, our officials met with Jane Hutt, member of the Welsh Senedd and Cabinet Secretary for Social Justice, to discuss the strengths and challenges of the income pilot. Wales is currently piloting a scheme for young people leaving care. My officials have also been in contact with arts organisations, researchers, academics, organisations representing the area and university students.
The pilot is underpinned by a comprehensive research programme. I recently published a report examining the first 24 months of the scheme, which found that BIA recipients, compared to those not in receipt of the BIA, are: six percentage points more likely to have worked in the arts in the previous six months; spend on average 11 weekly hours more on their creative practice; and are 14 percentage points more likely to have completed new works in the previous six months, on average, completing 3.9 pieces of work more than the control group. They are 15 percentage points less likely to have felt downhearted or depressed; are 16 percentage points less likely to have experienced anxiety; and are more likely to be able to afford basic necessities. Yet, as of October 2024, almost 30% of recipients are experiencing enforced deprivation. The share for the general population in 2024 is 15.7%.
An interview report published earlier this year also found recipients have upskilled and invested in quality materials; the opportunity to focus more on their specific creative interests opened new possibilities; and recipients reported the importance of giving back to the community and engaging in collaborations. An externally commissioned cost-benefit paper has just been published by the Department. It shows that the BIA produced over €100 million in social and economic benefits and for every €1 invested in the pilot, society received a return of €1.39. It also found that recipients’ arts-related income increased by over €500 per month on average. Audience engagement with the arts generated an estimated €16.9 million in social value over the three-year pilot.
No decision on a successor scheme has been made yet. A Government decision will be required on a successor to the pilot. I intend to bring forward proposals for a permanent intervention following budget 2026, assuming funding for a successor is secured, but I have made it clear that I am in favour of a permanent scheme being put in place.
